Vanessa Amarossi and Robbie Williams

No comment last week since there was no change in the top 3, however, this week Vanessa Amarossi is at number 1.

First of all I want to comment on Robbie Williams because I've long been fascinated with his character and I've enjoyed his songs in the past. Robbie Williams reached number 4 last week with 'bodies', but this week he's dropped to number 10, so clearly, this song doesn't have the staying power of David Guetta's 'Sexy Bitch' or The Black Eyed Peas. The song has a solid groove, and I've always liked the way Robbie William makes his lyrics groove and his melodies. However, this time I think his words let him down. This song simply doesn't make sense. His main thesis is this:

"All we've ever wanted

Is to look good naked

Hope that someone can take it

God save me rejection

From my reflection,

I want perfection"

Everything else is a confused mish mash of images and phrases. He has obviously lost the plot. I feel sorry for him. Hope he gets it together soon though. Maybe it's time for a career change.

Onto Vanessa Amarossi's ' This is who I am'. Musically it's fine - grooves along, well produced, etc. etc. Nothing extraordinary - save to note the ongoing popularity of synth based night club inflections, despite this being essentially a pop-rock song. The music is full of cliches though - big guitars in the chorus, yada yada yada. Her singing is mighty though she seems to keep it fairly low, except at the end where she shows us her range. This song is a winner, because of its styling, is passable, the singing is good, and because of its content. It's positive and feels genuine, a song about learning to accept oneself, and it follows all the verse-chorus song rules. The bridge really stands out as do the joining sections (a-a-a-a). One can't help but wonder what she has been through....dropping out from the public eye from 2003-2008 (more or less). Anyway, she's on good form, but it's not art, and it won't be remembered 10 years from now.

Chart update - 13 October

I have some good news and some bad news. The good news is that the top 3 has had some movement for the second week running. The bad news is that the Black Eyed Peas are back in the top 3, so my hope for variety is forlorn. The song they're in with is called "meet me halfway". The other good news is that this is a good song. I don't think it's a classic though.

Structure:

The structure is ABABCB ... but it's cleverly tweaked. The first verse stands out because of the repeated words at the end of each line, this effect is duplicated in the second verse, but not exactly, in verse 2, the repeated words occur in the middle of the line rather than at the end. Verse 2 is somewhat weakened by the opening line about 'seven seas' - a cliche if ever there was. The chorus works well enough, but it's not as striking as the verse. The second time we hear it, the last two lines are repeated which leads us nicely into the bridge, which starts with the line 'let's walk the bridge' - and you can bet that they used the word 'bridge' because it was in the bridge. I really like their use of the vocoder, sparing and effective. The usual black eyed peas arrangement of male verse vocal and female chorus works well, but isn't sonically striking because it's been done by so many rap and hip hop artists.

Lyrical content:

This song is about a girl who really likes a guy but who needs him to 'meet her half way'(choruses). The guy meanwhile also really likes the girl - he talks about missing her, being prepared to meet her anywhere she'd like (verses and bridge). You'd think from the verses that he was willing to do anything necessary, but the chorus keeps on insisting that she can't go any further. You can imagine all kinds of possibilities for this little drama, and I guess having that unresolved element helps keep the song interesting, and also tinged with melancholy.

Music:

The chords aren't particularly remarkable - but they're solid and follow the rules. The verse and chorus melodies contrast nicely, but not startlingly so - fast, low words in the verse with longer, slower, higher words in the chorus. I suspect that the chorus melody floats over a wider range than the verse melody, but I'm not 100% sure - I'd have to see it written down. The production and arrangement is, of course, very effective. Nice quiet sweeping synth, basic drums, filtered and pitch shifted vocals in parts of verse 1, harmonies in parts of verse 2 and vocoded vocals in the bridge, but nothing over done. Comments I saw on youtube reckoned it had an 80s feel. I'd agree.

FINALLY! A new song in the top 3

EVACUATE THE DANCEFLOOR  by  Cascada is now at number 3. Finally I have something new to write about. This song has been floating around the charts for a while, so it's good that it's finally made it up there. I'm sure there are songs that never reach the top 3 that chart longer so end up selling more. I wish ARIA would release the actual sales figures.This song has already been a UK number one (says wikipedia).

Anyway, it looks like night club music is definitely back in fashion - 'Sexy Bitch' is still number one, and 'boom boom pow' is still there at number 20. This is strongly reminiscent of Lady Gaga, featuring big synths, very solid drum grooves and punchy lyrics. I can't help being reminded of 2-unlimited circa 1992. Then again, these guys are German, although the singer is an English girl raisedin Germany. In the video, she looks gorgeous, but move the dancing is left to the professionals.

The form is ABCABCDC, where A is the verse, B is the prechorus, C chorus and D bridge. The prechorus is the stand out in my view, reminiscent of the bridge from 'just dance'. It consists of a descending line repeated 3 times and it contrasts nicely with the verse melody which is more up and down. It also links to the chorus which is another repeated descending line, but slower. 

The lyrics are nothing amazing, but they do the job of carrying the melody. Your typical dance song all about how the singer wants and needs the music (verse), and how great it is when she's finally dancing (chorus),  with the bridge serving as the voice of the DJ to the crowd. At least it's not a song about how good some girl looks while she's dancing and all that goes with that persepective (listen to 'sexy bitch' if that's your cup tea). This is a good solid dance track, and you'll certainly enjoy moving to it, but my favourite 'just gotta dance' song remains Natasha Bedingfields 'I'm a bomb' (2005) followed closely by Dee-lite's 'Groove is in the heart' (1990). I have a sneaking suspicion that this type of song will keep getting rewritten for some time yet.